Tomb WV23

stone block shows Ay receiving the Gold of Honor'
Tomb WV23 based at the end of the Western Valley of the Kings about modern-day Luxor, was the final resting place of Pharaoh Ay of the 18th Dynasty.

It was broken by Giovanni Battista Belzoni in the winter of 1816, its social system is alike to that of the tomb of Akhenaten, with a direct undecorated, down corridor, taking to a "well chamber" that has no shaft. This leads to the burying chamber, which currently contains the rebuilded sarcophagus. It had earlier been found smashed into some fragments. The tomb had also been violated in history with many depicting of Ay's image or name erased from the tomb wall pictures.

Its medallion is similar in substance and color to that of Tutankhamun (KV62), with a few differences. On the eastern wall there is a portraying of a fishing and fowling scene, which is not shown elsewhere in other Royal tombs, being normally presented in burials of aristocracy. The tomb is also well noted for its views of a hippopotamus hunt.



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King Ay (1325-1321)

Hieroglyphic name: 

Horus name of ay
Nebti name of ay
Head statue of King Ay
Name: Ay, Itinetjer-Aja, Kheperkheperure-Irimaat, Heqasekhepertawy and Horus name (Kanakht Tekhenkhau).

King Ay  prevailed  from  1323  B.C.E. until  his  death.  Ay rose  the  toilet  upon  the  death  of  Tutankhamun and  apparently  married  Ankhesenamon, the  boy  kings widow. She  does  not  look  after  the  initial  ecological succession of Aya, however. The queen who is presented in all lasting texts is Tey, a cheaper who had didst as a nurse to Nefertiti and had married Aya before his entree to the throne.

Aya, besides a worse, had been the Master of the Horse and Fan Bearer and then vizier and prime minister for Akhenaten (1353-1335 B.C.E.) at Amarna, but he came  the  shape  of  regrouping  the  government  and the  aggrandizement  of  the  god Amun during  his  brief reign. His portrayals depict a man with a close, bony face and a long, light nose. Aya put up Karnak colonnade and  a  rock-cut  enshrine  at  Akhmin. He  established  a  mortuary temple  at Medinet Habu in  western  Thebes  but  did  not allow himself with a tomb there. In the Valley of the Kings a tomb was mounted for him and for Tey, but his rests  have  never  been  found.  His  tomb  is  long  and right in design, with 4 corridors. An certain passage leads to a burial chamber, which was decorated with the  text  of  the  AM Duat. Ayas burial  site  included  a  red granite sarcophagus. He also had an raw tomb in Amarna.  Aya  assigned  Nakhtmin (1), possibly  a  congeneric and a military commander, as his successor, but Horemhab put  him  aside  and  gone  the  last  pharaoh  of  the dynasty.



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Tomb of Queen Tiy/Smenkaure

The royal wiife Tiy
Tiy was the wife of King Ay.  Tiy  first  looks  during  the Amarna Period, when she is described as the nurse of Nefertiti. It has been supposed that Ay was the father of Nefertiti, in which face Tiy would be her stepmother. She is later showed as Ay's queen after he risen the throne, which makes it implausible that he married Ankhesenamun.

Her tomb was plain tomb. Discvoered by Davis, who did not read the contents before taking them. Her mummy was rather a man < 26 with signs of hydrocephaly, which may be Akhenaten -- or marks of platycephalis (clear skull) and could be Smenkaure, Tutankhamun's herald. Despite new evidence, the Musem still says Smenkaure.



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Tomb KV55 (Tomb of Akhenaten)


Plan of Tomb KV55
The Tomb of Akhenaten (KV55) not open to the common untile 2010. KV55 possibly belongs to Akhenaten, Tiy, or Smenkhkare, but it is unknown. Discovered by Edward Ayrton (american) on January 6rh, 1907 while processing the tomb of Ramesses IX (KV6). He accidentally found the entrance. It was partly sealed by the direct door and covered, then stampeed with the same seal seen on Tuts tomb (jackal and 9 captives). The barrier had been breached, and the passageway filled with limestone dust. This was likely done in the 20th dynasty, when other tombs were likewise resealed. When the tomb of Ramses IX was but, the debris poured out into the entrance, sealing it again. Tomb was excavated hurriedly (looking for treasure) and randomly.

Quite a bit of water damage from a leak over the door, which was disciplined in antiquity. Tomb cleared out by 1908 and sealed with a steel door.  Items are inscribed with the names of Queen Tiy, Amenhotep III and Tut.  Most items ended up in museums, but many were stolen by workers. The steel door vanish in 1923, exchanged with stone, which also collapsed and the tomb was taking with dust by 1944. Inquired yet over again in 1959 by Elisabeth Thomas and Lyla Pinch Brock in 1993. Plaster was fixed in 1996. Probably started as a secret tomb and retrod as a royal tomb.

21 steps lead in, with a particular corridor and one chamber. The burying chamber is 7 x 5 meter and 4 m high. Black detergent builders marks point that another room was contrived. Plausibly cut at the very time as Tuts and Yuya/Tuya, since they are so corresponding.

Pectoral found on the Tomb KV55
Walls were stiff, but spare. Probably covered some time afterwards the tomb was dug. Most of the plaster on the northern wall was vanished by the time of the burying. First found on the rubble was a door panel prepared for a shrine to Akhenatens mother, Tiy. Most of the shrine (developed by Akhenaten) was observed in pieces, although his name was scratched off. Decayed coffin found inside, with crook and flail visible. The cartouches had been cut off and the bottom part of the golden face mask were riven away. A mummy was determined alone. The coffin, canopic jars, and other points got were originally contrived for a woman but adapted for the use of a man. Probable that vanished pieces (some never made it ot the museum) were entered with the name of Smenkhkare, the heir of Tutankhamun. Tomb may have been remodeled for Queen Tiy (Davis). Nevertheless, Weigall did not trust it could be a woman and that the body may have better been Akhenaton  the incomplete stsate of the tomb due to the induced burial from Amarna peculiarly since all names were erased from the funerary materials. The mummy, while mistook as a woman, has been conclusively presented to be male. Heiht 3.93 m, length 27.61 m. Trance on the valley floor with a stairway. Straight axis.



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Tomb of Ramose (TT55)

Inside the tomb of Ramose
Ramose was Governor of the Town Thebes and Vizier during the Dynasty XVIII passage of the reigns of Amenhotep III and IV. His tomb in the village country of Sheikh Abd el-Qurna reflects his serious position in the royal court and it is worrying because it represents the change in style towards Amarna art. It is uncertain whether the went was ever belowground in this tomb, or whether he come Akhenaten to his different capital, Akhetaten, but no tomb has been got for Ramose there. The tomb of Ramose is of historical grandness because it is one of the few regular monuments in Luxor of the period of transition from the revere of Amon-Ra to that of the Aten under Akhenaten. The tomb gives us a unique chance to see straight 18th Dynasty agencies alongside the pragmatism that is associated with the Amarna period. The rests to left and right of the entree doorway are in the straight style, typical of the beginning of Amenhotep IV's reign. To the left (a), Ramose sits with his relations, all of whom wear certain wigs. The pictures are bare distinct from the eyes. To the right (b) are views of worship, offerings and religious ceremonies.

The funeral, Inside the tomb of Ramose
Another traditional representation is on the left-hand rear wall (c), which shows Amenhotep IV in fake, customary discussion; he had not yet changed his name to Akhenaten or run the capital to Tel el Amarna. He sits beneath a canopy with Maat, goddess of Truth. Ramose himself is twice represented before the throne. On the right-hand rear wall (d) we see the young pharaoh, who puts up with his royal consort Nefertiti on a balcony, represented in the Amarna style and attitude. Ramose is being adorned with gold chains. Akhenaten is represented with his belly went, in unflattering realism. Above the figures is the life-giving sun, the Aten, with 14 rays; four of them hold symbols of Life and Happiness. Two support Akhenaten's outstretched arm. Another proposes the symbol of Life to the nostrils of the queen. On the left-hand wall (e) is an expressive relief of a group of sorrower. Grief comes down the centuries in a heart-rending funerary convoy. The men carry boxes addressed with foliage, a jar of water and blooms. A group of grieving women turn towards the funeral bier and fling their arms about; tears flow down their cheeks. One woman is supported by a sympathetic attendant; others dead their breasts and thighs in grief or squat to gather dust to sprinkle on their heads as a sign of mourning.



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Akhenaten's Worship

Akhenaten's Worship to Aten
Akhenaten has been described as a seer who cut through the formalities of Egyptian religion to make a connection with one God, the Aten. To some, Akhenaten was the first Monotheist who may have been inspired by Joseph or Moses. However, it is by no agency as simple as that. Although Akhenaten's religion did central on one god, it was not strictly monotheistic and was by no means same to the Israelites. It seems that the Apis cult was observed and other gods are still named in letterings (although they are usually solar gods or prosopopoeias of abstract ideas). In fact, the names of the Aten (which were saved in a cartouche) name the god in terms of the other gods. Furthermore, it appears that the personal kinship with the Aten did not offer to the common people, good the Royal Family. Akhenaten and his family are frequently shown worshipping the Aten or only enjoying average bodily functions beneath the close rays of the Aten disk, reinforcing the link between the king and his god. Ordinary people could not idolize the Aten directly, they precious the King and the royal family. This gave the king good power over secular and sacred life in Egypt. For this reason, some have indicated that Akhenaten's argues were cynically semipolitical. They argue that the king was worried about the developing power of the priests of Amun, as his father Amenhotep III had been. By making a new order which refused Amun in favour of the Aten (who was easy primarily to the king) he took faith back from the priests. As well as Nefertiti, Akhenaten involved himself with a number of powerful women whom he distinctly adored and observed. Each of the royal women had her own sunshade temple where she could revere the Aten. They were generally set within beautiful gardens complete with ritual pools where the wonders of nature could be loved. The Armarna women, in particular Nefertiti, seem to have described the feminine expression of the Aten as creator.



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Temple of Amenhotep IV (Luxor)

Talatat walls (the temple of Amenhotep IV)
Devoted to Amun-Min, Mut, and Khonsu, the "Harem of the South". Every spring, a flotilla escorted Amun's effigy from Karnak. Built in the New Kingdom. Founded by Amenophis III (1417-1379 BCE) of the XVIII Dynasty. Also made the 3rd pylon at Karnak and the Colossi of Memnon. Akhenaten finished work. Wrk taken up under Horemheb.

Ramses II (1304-1237) of XIX Dyn brought much of the temple. Alexander the Great rebuilded the sanctuary. Allow 3-4 hours, peculiarly in the evening. Got by Amenhotep III, then Amenhotep IV "Akhenaten", then Tutankhamun, the Horemheb. Full by Ramses II.

First pylon: obelisk and statues have been withdrawn. Peristyle Cort: contains a enshrine of Tuthmosis III and a mosque, Abu-al-Haggag, which is largely 19th century. Two black granite staues of Ramses II also are here. Colonnade: 14 colums with papyrus capitals.



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King Amenhotep IV (1350-1334)

Hieroglyphic name: 
Horus name of Amenhotep IV
Nebti name of Amenhotep IV
Name: Akhenaten (Amenhotep), Neferkheperrewaenre, Wetjesrenenaten, Wernesytemakhetaten, and horus name of him: Meryaten (Kanakht Qaishuty).

Statue of Amenhotep IV
Throne name Neferkheperure waenre. Direct name Amenhotep IV. Son of Amenhotep III and Tiy. It is presumptive that he was not the eldest son, as a Prince Thutmose is attested but presumably died young. It is also not distinct if there was a coregency between his father and himself or whether he succeeded only upon his fathers death. Akhenaten searched to establish the higher status of the cult of Re-Harakhty in the figure of Aten, the sun disk. Following opposite in Thebes from the followers of Amun, he showed a new capital at Akhetaten, now Amarna, and built his royal tomb nearby. His foeman to the older cults step by step grew more intense, and they were finally proscribed. His sacred  beliefs  have  been  wrongly  described  as  monotheism,  as Akhenaten did not yield those cults related with the sun god or with kingship, namely his deify father and himself.

His reign is also noted for a hot new art style, which is far freer than older Egyptian convening and depicted the royal family and he himself in a particular manner. Some have sought to identify a medical trouble in this style, but it may only have been a new  artistic  pattern.  His  wife,  Nefertiti,  assumed  a  outstanding role  in  royal  pictures,  and  it  has  been  proposed  that  she  even  succeeded him. The circumstances that ended the reign are unknown. Akhenatens eventual heir, Tutankhamun, who may have been his son, abandoned Amarna and reverted to the idolise of Amun. Akhenatens name and that of his close successors were later out.



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