The Pyramid of Senusret I

     Senusret I followed this revival and constructed a pyramid about 1.61 km to the south of Amenemmes I’s complex. The pharaoh Senusret I ruled from about 1971 to 1926 B.C.E., during the Middle Kingdom. He was a strong leader who ruled a stable, unified Egypt. Art, literature, and architecture flourished during his reign.

   Craftspeople thrived under Senusret’s rule. The pharaoh controlled mines loaded with gold, copper, and gems such as purple amethyst. Craftspeople fashioned these materials into beautiful pieces of jewelry. Bracelets and necklaces were often highly detailed. They were then decorated with stones like turquoise.

   Some of the greatest works in Egyptian literature were written during Senusret’s reign. “The Story of Sinuhe” tells of a young official named Sinuhe who overhears a plot to kill the pharaoh. Fearing for his own life, Sinuhe flees Egypt. He thrives in his new land, but he grows very homesick. When a new pharaoh calls him home, Sinuhe returns joyfully. Senusret’s greatest accomplishments were in religious architecture. He built and improved many temples, shrines, and religious monuments.









   Perhaps Senusret’s finest architectural achievement was the White Chapel. (A chapel is a small temple.) It was made of alabaster, a hard white stone. Some historians think the chapel was originally covered in a thin layer of gold.

   Beautiful artwork decorated the chapel’s pillars. Carved scenes showed the pharaoh with various gods. Birds, animals, and Egyptian symbols were also depicted. Senusret wanted his memory to live on through his monuments. But almost none of his buildings survived the passage of time. A later pharaoh took the White Chapel apart and used the pieces in a monument of his own. Archeologists later discovered the pieces and reconstructed the White Chapel.

   Another important find which illustrates a strong association between Egypt, Asia and the Aegean is the El-Tod treasure. This was discovered in 1936, buried in the stone foundations of a temple at El-Tod in Egypt which, the archaeologists believed, was built by King Senusret I of the Middle Kingdom.

The Boundary Stelae of Akhenaten

     Boundary Stella of Akhenaten still survive today bearing testimony to the accurate surveying skills of the Cadastre Scribes, three on the western side of the Nile cut into limestone cliffs along the edge of the cultivation and twelve to the east following the hills that form the desert bay next to the river in the area now known as El-Amarna.

     The Boundary Stella of Akhenaten, shows that both pairs of princesses on each side of this Stella were holding hands, whereas the hand on the present figure's right shoulder indicates that she was joined in embrace with her sister.



     The boundary Stella of Akhenaten describe the founding of the city. The numerous rock tombs, some decorated with papyrus columns, were built hidden in the cliffs to protect them from thieves and flash floods. The famous lyrics of the 'Hymn to the Sun', composed by Akhenaten, is found in each tomb.

     The boundary Stella of Tell el-Amarna were probably carved in the years 6 to 8 of Akhenaten's reign.

Akhenaten Statues

The Amarna Period was centered around the capital city of Amarna and noted for its artistic style, which drastically shifted from conventional styles of art. The human body in the Amarna style is portrayed more realistically, rather than idealistically, though at times depictions border on caricature. Common features are an elongation and narrowing of the neck, a sloping of the forehead and nose, a prominent chin, large ears and lips, spindle-like arms and calves and large thighs, stomachs, and hips.

The decoration of the tombs of non-royals was quite different from previous eras, and clearly worshiped the Aten over other gods and goddesses. Not many buildings from this period have survived the ravages of later kings, partially as they were constructed out of standard-size blocks which were very easy to remove and reuse. Much of what we know of the Amarna period today comes from the discovery of the Amarna Letters: a cache of over 300 tablets recording select diplomatic correspondence of the Pharaoh.

Akhenaten was a pharaoh of the 18th dynasty who is best known for ushering in a
distinctly new art style known as Amarna Art.

Akhenaten Statues:

1- Akhenaten, Nefertiti and their children. This relief illustrates an intimate portrait of
Akhenaten and his family in the Amarna style of art.


2- A relief portrait of Akhenaten. Akhenaten represented in the typical Amarna period style.
New Kingdom, 18th dynasty, circa 1345 B.C.


3- Artist’s sketch: Walk in the Garden; limestone; New Kingdom, 18th dynasty, c. 1335 BC. A relief of a royal couple in the Armana style. The figures are thought to be Akhenaten and Nefertiti, Smenkhkare and Meritaten, or Tutankhamen and Ankhesenamun.


4- Akhenaton, pillar statue from the Temple of Amen-Re, Karnak, Dynasty XVIII, c. 1355-1335 BCE. Sandstone, approx. 13’ high.

He also has all the accoutrements of kingship:

13 feet in height

The cobra crown.

The false beard.

The crook and flail in his hands (the crook has been damaged).

The royal cartouches on his stomach and collar bones.



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