The Amarna Period was centered around the capital city of Amarna and noted for its artistic style, which drastically shifted from conventional styles of art. The human body in the Amarna style is portrayed more realistically, rather than idealistically, though at times depictions border on caricature. Common features are an elongation and narrowing of the neck, a sloping of the forehead and nose, a prominent chin, large ears and lips, spindle-like arms and calves and large thighs, stomachs, and hips.
The decoration of the tombs of non-royals was quite different from previous eras, and clearly worshiped the Aten over other gods and goddesses. Not many buildings from this period have survived the ravages of later kings, partially as they were constructed out of standard-size blocks which were very easy to remove and reuse. Much of what we know of the Amarna period today comes from the discovery of the Amarna Letters: a cache of over 300 tablets recording select diplomatic correspondence of the Pharaoh.
Akhenaten was a pharaoh of the 18th dynasty who is best known for ushering in a
distinctly new art style known as Amarna Art.
Akhenaten Statues:
1- Akhenaten, Nefertiti and their children. This relief illustrates an intimate portrait of
Akhenaten and his family in the Amarna style of art.
2- A relief portrait of Akhenaten. Akhenaten represented in the typical Amarna period style.
New Kingdom, 18th dynasty, circa 1345 B.C.
3- Artist’s sketch: Walk in the Garden; limestone; New Kingdom, 18th dynasty, c. 1335 BC. A relief of a royal couple in the Armana style. The figures are thought to be Akhenaten and Nefertiti, Smenkhkare and Meritaten, or Tutankhamen and Ankhesenamun.
4- Akhenaton, pillar statue from the Temple of Amen-Re, Karnak, Dynasty XVIII, c. 1355-1335 BCE. Sandstone, approx. 13’ high.
He also has all the accoutrements of kingship:
13 feet in height
The cobra crown.
The false beard.
The crook and flail in his hands (the crook has been damaged).
The royal cartouches on his stomach and collar bones.
The decoration of the tombs of non-royals was quite different from previous eras, and clearly worshiped the Aten over other gods and goddesses. Not many buildings from this period have survived the ravages of later kings, partially as they were constructed out of standard-size blocks which were very easy to remove and reuse. Much of what we know of the Amarna period today comes from the discovery of the Amarna Letters: a cache of over 300 tablets recording select diplomatic correspondence of the Pharaoh.
Akhenaten was a pharaoh of the 18th dynasty who is best known for ushering in a
distinctly new art style known as Amarna Art.
Akhenaten Statues:
1- Akhenaten, Nefertiti and their children. This relief illustrates an intimate portrait of
Akhenaten and his family in the Amarna style of art.
2- A relief portrait of Akhenaten. Akhenaten represented in the typical Amarna period style.
New Kingdom, 18th dynasty, circa 1345 B.C.
3- Artist’s sketch: Walk in the Garden; limestone; New Kingdom, 18th dynasty, c. 1335 BC. A relief of a royal couple in the Armana style. The figures are thought to be Akhenaten and Nefertiti, Smenkhkare and Meritaten, or Tutankhamen and Ankhesenamun.
4- Akhenaton, pillar statue from the Temple of Amen-Re, Karnak, Dynasty XVIII, c. 1355-1335 BCE. Sandstone, approx. 13’ high.
He also has all the accoutrements of kingship:
13 feet in height
The cobra crown.
The false beard.
The crook and flail in his hands (the crook has been damaged).
The royal cartouches on his stomach and collar bones.