Kama

Kama was a queen from the twenty-second/twenty-third Dynasties, Third Intermediate Period, c. 790-749 BC. A queen of the Libyan dynasties, Kama had her tomb developed at Leontopolis, a city good Bubastis where the rage of the cat-goddess Bastet was hard. Her tomb was unrobbed when it was found and contained some exceptionally fine jewellery. Abaton was the mother of King Osorkon III.

Recent Posts:



·        Nubians
·        Kai
·        Ab
·        Narmer Macehead
·        Kalabsha
·        Naneferkaptah
·        Kamose
·        Abar
·        Scorpion Macehead
·        Kameni
·        Naos

Abaton

Abaton or Pure Mound is a noted place named Abaton in some shows, the Pure Mound was set on the  Island of Biga, near Philae. The Primeval Mound and this situation were all seen  the basic true circumstances of the earth that arose out of Nun, the particular dark void or chaos at the moment of foundation.

Recent Posts:



·        Nubians
·        Kai
·        Ab
·        Narmer Macehead
·        Kalabsha
·        Naneferkaptah
·        Kamose
·        Abar
·        Scorpion Macehead
·        Kameni
·        Naos

Naos

Naos in
hieroglyphic
The naos or Naos (shrine) is a symbol used in ancient Egypt. In Egyptian hieroglyphs, 2 standard variations exist of the character translated as "naos": the older one dating to the Old Kingdom era, and a common right form from the New Kingdom and later.

The naos as a small shrine is famous in its typically Egyptian shape since the beginning of Ancient Egyptian history. It eventually came to be presented as an Egyptian hieroglyph.

Some of the oldest lessons are from the judges of the early pharaohs. The Early Dynastic king Narmer is shown on the Narmer Macehead seated in a naos.

The label of king den
A statue of a person holding a little naos, much as the statue of the Ramesside superintendent of the treasury Panehsy, is named naophorous. The earliest lessons of much statues date to the 18th dynasty.

The early Old Kingdom tags, for exercise Pharaoh Den, portrayed him in a side view in his naos enshrine. An exercise of the combined, matched, view with the 2 crowns, is the lintel of Senusret II, 12th dynasty, 19th century BC. It points the naos curved ceilings of each half of the marquee hieroglyph.

Recent Posts:




·        Kai
·        Ab
·        Narmer Macehead
·        Kalabsha
·        Naneferkaptah
·        Kamose
·        Abar
·        Scorpion Macehead
·        Kameni

Kameni

From the mastaba of Kameni
Kameni was a high Priest from the fourth dynasty of the old kingdom, c. 2550 BC. Kameni was the High Priest of the temple of the ancient piranha goddess Nekhbet at El-Kab on the Nile, opposite the city of Hierakonpolis which was always linked with the sources of the kingship. Kameni was special in having seemingly held no other offices than his priestly engagement. Pieces of a statue observed in Kamenis tomb are essential in showing the developing of the style of private statuary in the Fourth Dynasty.

Recent Posts:


·        Nubians
·        Kai
·        Ab
·        Narmer Macehead
·        Kalabsha
·        Naneferkaptah
·        Kamose
·        Abar
·        Scorpion Macehead

Scorpion Macehead

Part of the Scorpion Macehead
The Scorpion macehead (as well knew as the Major Scorpion macehead) is a dressed ancient Egyptian macehead got by British archeologists James E. Quibell and Frederick W. Green in what they named the main stick in the temple of Horus at Hierakonpolis during the dig flavor of 1897/1898. It bills 25 centimeters long, is made of limestone, is pear-shaped, and is ascribed to the pharaoh Scorpion due to the glyph of a scorpion sliced close to the image of a king breaking the White Crown of Upper Egypt.

A second, microscopic macehead fragment showing Scorpion wearing the Red Crown of Lower Egypt is concerned to as the Minor Scorpion macehead.

Ancient Egyptian portrayal obeyed a number of conventions. Perspective being unknown, depth was often suggested at by depicting a more last scene above a closer one. People's lower body, their legs, arms, and head were almost always showed in profile, while their trunk was showed in frontal view, as was the eye. Legs are always separated. Size was frequently dependent on status, kings being showed larger than their subscripts.

On the macehead the king clean a bull's tail is dead by a body of water, credibly a canal, holding a hoe. He is heavy the White Crown of Upper Egypt and is followed by two fan bearers. A scorpion and a rosette are shown close to his head. He is facing a man holding a basket and men making standards. A number of men are busy along the banks of the canal. In the put up of the king's retinue are some plants, a group of women applauding their hands and a little group of people, all of them looking away from the king. In the top read there is a row of nome measures. A bird is dangling from each of them, strung up by its neck.

Little is left of this macehead and its imagery: A king heavy the Red Crown of Lower Egypt, sitting on a throne under a canopy, holding a lick. Besides his head pictures of a scorpion and a rosette. Looking him is a falcon who may be having an end of a rope in one of its claws - a motif also present on the Narmer Palette.

Recent Posts:



·        Macehead
·        Kahun Papyrus
·        Nubians
·        Kai
·        Ab
·        Narmer Macehead
·        Kalabsha
·        Naneferkaptah
·        Kamose
·        Abar

Abar

Hieroglyphic name of Abar
Abar was a royal woman from Napata, in Nubia. She was the mother of Taharqa (690-664 B.C.E.) of the Nubian Twenty-fifth Dynasty of Egypt and the daughter of  Kashta and  Queen Pebatma. She  was  the  wife  of Piankhi (750-712 B.C.E.). It is not noted if Abar traveled northern to see her sons enthronisation upon the death of his herald, Shebitku, but Taharqa called Napata to build  new  religious  chancels,  strengthening  his  particular base there. In 671 B.C.E., he passed as an deport when Essarhaddon, the Assyrian king (681-668 B.C.E.), overcome  the  Egyptian  denials  on  his  second  seek  to conquer the Land of the Nile.

Queen Abar appeared with her son Taharqa

Recent Posts:


·        Aazehre
·        Macehead
·        Kahun Papyrus
·        Nubians
·        Kai
·        Ab
·        Narmer Macehead
·        Kalabsha
·        Naneferkaptah
·        Kamose

Kamose

Kamose
Kamose or King Kamose of the Seventeenth Dynasty during the Second Intermediate Period (1555-1550 BC). He was the son of King Seqenenre Tao II, Kamose won his father after the latter was popped in battle. He learned on the tax of driving out the Hyksos encroachers with exuberance and purpose, and appears to have affected them back to their fastness in Avaris. The Hyksos king Apepi wrote to the king of Kush inspiring him to attack Kamose, but his message was intercepted and the Kushites remained inactive.
Votive Barque of Kamose


Kamoses rule, though influential in contributing to the ejection of the Hyksos, was comparatively brief. He was succeeded by his brother, Ahmose, who was a child at the time of his entree. When he given his majority, however, he accomplished the work begun by his father and elder brother, driving the Hyksos out of Egypt and ushering in the Eighteenth Dynasty.

Recent Posts:



·        Kagemni
·        Aazehre
·        Macehead
·        Kahun Papyrus
·        Nubians
·        Kai
·        Ab
·        Narmer Macehead
·        Kalabsha
·        Naneferkaptah

Naneferkaptah

Naneferkaptah or,  was a royal prince of the Nineteenth Dynasty. A  son  of  Merenptah (1224-1214  B.C.E.),  Naneferkaptah was made noted by an Egyptian magical tale concerning the princes discovery of the magic book of the god Thoth. He made a copy of the book, washed off the ink with beer, and then pledged the brew. This provided him to steep the wisdom of the wiped off words. The Book of Thoth  was  purportedly  a  deposit  of  vast  amounts  of occult and magical texts, revered by the priests. Naneferkaptahs  wife  was  Princess  Ahura,  and  his  son  was Merab. The family was forgotten in Koptos.

More about Naneferkaptah in Jstor (http://www.jstor.org/stable/10.1086/649612):

Vinson (S.), "The Names Naneferkaptah, Ihweret, and Tabubue in the first Tale of Setne Khaemwas, Journal of Near Eastern Studies, Vol. 68, No. 4 (October 2009), pp. 283-304.

Recent Posts:


·        Kagemni
·        Aazehre
·        Macehead
·        Kahun Papyrus
·        Nubians
·        Kai
·        Ab
·        Narmer Macehead
·        Kalabsha

Kalabsha

Kalabsha Temple Today
Kalabsha is a place in northwest Nubia (contemporary  Sudan), identified  for  a  fort  and  temple  that  were  put up  by Tuthmosis III (1479-1425  B.C.E.)  in  the  Eighteenth Dynasty  era, the  temple  complex  was  intentional  out  of sandstone  and  contained  a  Pylon, forecourt,  hypostyle hall, vestibules, and an elaborate sanctuary. The shrine was  dedicated  to  Mandulis, a  Nubians  deity  took  by the Egyptians. Amenhotep II, the son and heritor of Tuthmosis  III,  was  showed  there  in  reliefs.  Kalabsha  was expanded  in  Greco-Roman  times. The Ptolemaic rulers (304-30 B.C.E.) refurbished the temple and added shrines to the complicated with the cooperation of King Arkamani of Nubia. The Roman emperor  Augustus set up  a  temple of OsirisIsis, and  Mandulis. The  temple  was  gone northwest when the Aswan dam was gave.

 Beit el-Wali:

Beit el-Wali in Kalabsha
Beit el-Wali rock-cut temple was went from its original location by a Polish archaeological team. It is dedicated to Ramesses II, and the gods of Amun and Anukis (among others). It was originally mounted in bright colors, but these were mostly removed by a "squeeze" taken in the 19th Century, the outcomes of this squeeze are now on presentation in the British Museum.


Recent Posts:




·        Names in Ancient Egypt
·        Kagemni
·        Aazehre
·        Macehead
·        Kahun Papyrus
·        Nubians
·        Kai
·        Ab
·        Narmer Macehead

Narmer Macehead

Narmer Macehead
The Narmer macehead is an ancient Egyptian nonstructural stone mace head. It was found in the main fix in the temple area of the ancient Egyptian city of Nekhen (Hierakonpolis) by James Quibell in 1898. It is seen to the Early Dynastic Period prevail of king Narmer (c. 31st century BC) whose serekh is sliced on it. The macehead is now observed at the Ashmolean Museum, Oxford.

The Narmer macehead is better saved than the Scorpion Macehead and has had several interpretations. Now the opinion is, as for the Palette, that the events described on it tapes the year it was constructed and showed to the temple, a usage which is noted from other finds at Hierakonpolis, rather than great occasions like Narmer's Heb Sed festival or marriage to a achievable Queen Neithhotep, a hypothesis of later scholars, among them Petrie and Walter Emery.

Narmer Palette
On the left position of this macehead we see a king enduring the Red Crown (deshret) sitting under a canopy on a dais, continued in a long cloth or cloak. He is taking the bat and above the canopy a vulture hovers with spread wings, perchance Nekhbet, the local goddess of Nekhen. Nekhen, or Hierakonpolis, was one of four might hearts in Upper Egypt that introduced the integration of Upper Egypt at the end of the Naqada III period. Hierakonpoliss spiritual importance continued long after its political role had declined. Directly in front of him is another dais or maybe litter on which sits facing him a cloaked figure. This figure has been taken as a princess being presented to the king for marriage, king's child or a deity. The dais is continued by a bow-like Expression and behind it are three registers. In the center read accompaniments are walking or running behind the dais. In the top read an envelopment with what seems like a cow and a calf might represent the nome of Theb-ka, or the goddess Hathor and her son Horus, immortals connected with kingship since earliest times. Behind the enclosure four standard-bearers approach the throne. In the bottom read, in front of the fan-bearers, are seen what feeling like a collection of offerings.

On the center break of the macehead, behind the throne with the seated king there is a figure just like the supposed sandal-bearer from the Narmer palette, besides with the rosette sign above its head. He is followed by a man carrying a long pole. Above him three men are walking, two of them as well carrying long poles. The serekh displaying the signs for Narmer can be seen above these.

The top area to the right of the center field pictures a building, perhaps a shrine, with a heron rested on its roof. Below this, an enclosing shows three animals, plausibly antelopes. This has been hinted as standing for the ancient town of Buto, the situation where the events reported on the macehead might have occurred.
Recent Posts:



·        Kadesh
·        Battle of Kadesh
·        Maat kheru
·        Names in Ancient Egypt
·        Kagemni
·        Aazehre
·        Macehead
·        Kahun Papyrus
·        Nubians
·        Kai
·        Ab

Ab

Ab in hieroglyphic
Ab, or heart, is the physical reed organ called hat as a material corporate entity and ab as a spiritual body. The heart was taken  the  seat  of  reason,  faith,  and  effect  by  the  Egyptians  and  was  commonly  left  in  the  body  during mummification.  A  heart  scarab was  involved in  the wrappings  because  the  heart  showed  at  the judgment halls of osiris. The  heart  was  weighed  there  against  a feather of the goddess Maat to ensure the worthiness of the  deceased.  Heart  Amulets were  contemporary  in  the  New Kingdom (1550-1070 B.C.E.) and were designed out of carnelian or glass.

Recent Posts:



·        Kadesh
·        Battle of Kadesh
·        Maat kheru
·        Names in Ancient Egypt
·        Kagemni
·        Aazehre
·        Macehead
·        Kahun Papyrus
·        Nubians
·        Kai

Kai

Kai was a mortuary priest of the Fourth Dynasty. He  answered  as  a  member  of  the  mortuary  cult  of Khufu (Cheops;  2551-2528  B.C.E.)  at  Giza. Vast  numbers  of priests domiciled in the pyramidal involved of Khufu after his death, as his morgue cult continued standard. Kai was buried in western Giza, and his tomb is addressed the Nefertari of Giza, the beautiful one. He is depicted in reliefs with his married woman in the tomb chambers, and there are a False Door and inflamed, elaborate carvings. A statue of Kai was also well.

Recent Posts:


·        Nakhtmin (Prince)
·        Aata
·        Kadesh
·        Battle of Kadesh
·        Maat kheru
·        Names in Ancient Egypt
·        Kagemni
·        Aazehre
·        Macehead
·        Kahun Papyrus
·        Nubians

Labels