Senusret II (1897-1878)

King Senusret II (1897 BC-1878BC) or Senwosret II or Sesostris II was the fourth pharaoh of the Dynasty 12. He was the first pharaoh who thought in drainage canal in Faiyum between bahr Yusuf and Lake Moeris. The purpose of Senusret II's project was to increase the amount of cultivable land here. he maybe reign of only ten Years as some scholars believed.
Some historians think that King Senusret II = “Pharaoh Khakheperre” of Dynasty twelve who ordered to settle Israel in Goshen at “Fayoum”. An Eternal historical documentation appears in the drawn message, documented by Joseph, on the north wall of the tomb of Count Khnumhotep II at Beni-Hassan, Egypt, as a “Point in Time” -- “In the year 6 of King Khakheperre”.
 
The pyramid of Senusret II 
 
Senusret II built his "Shining Pyramid" At the entrance of the Fayoum, of limestone and mud-brick at El Lahun. After the failure of his Dahshur Pyramid, King Amenemhet III abandoned it and started over with a new pyramid located near the modern village of Hawara el-Makta, not far from Lahun.
The pyramid of Senusret II at El-LahunThe pyramid of Senusret II at El-Lahun (the royal tombs of the family appear in the north)
North of the pyramid, there are eight rock tombs of the royal family and a small pyramid of the queen with burial chamber.

Pectoral with the Name of King Senwosret II, it was found among the jewelry of Princess Sithathoryunet (sit-hathor-you-net) in a special niche of her underground tomb beside the pyramid of King Senwosret II at Lahun. Hieroglyphic signs are amply used in the design, and the whole might actually be read as a text saying, Ò The god of the rising sun grants life and dominion over all that the sun encircles for one million one hundred thousand years [i.e., eternity] to King Khakheperre (Senwosret II).

The arts in the reign of Senusret II, (Princess Sithathoryunet's Pectoral):

This centerpiece of a princess’s necklace is composed around the throne name of King Senwosret II. It was found among the jewelry of Princess Sithathoryunet (sit-hathor-you-net) in a special niche of her underground tomb beside the pyramid of Senwosret II at Lahun. Hieroglyphic signs are amply used in the design, and the whole might actually be read as a text saying, The god of the rising sun grants life and dominion over all that the sun encircles for one million one hundred thousand years [i.e., eternity] to King Khakheperre [Senwosret II].

The deity of the rising sun is present in the two falcons that flank the name of the king, sun disks on their heads and the circular hieroglyphic sign for odominion over time and space’ clutched in their claws. Royal cobras, whose tails encircle the sun disks, hold the king’s cartouche upright, and signs of life (ankhs) hanging from the looped cobra bodies also flank the royal name. The cartouche rests on the bent tops of palm fronds (signs for (year)) that are held by a kneeling Heh, god of eternity and sign for “one million.” A tadpole (sign for “one hundred thousand) dangles from the god’s right elbow.

The symbolism of the design, however, goes beyond this simple text. Notice that the whole group of figures rests on a rectangular bar that is characterized as a reed mat by vertical divisions. The Egyptians used such mats as floor covers for high-status people to sit on and as trays for offerings. This particular mat, decorated with zigzag lines signifying water, is actually a representation of the primeval water from which the earth rose at creation. With the water at the bottom and the sun disks at the top, the pectoral design depicts the world as the Egyptians knew it.

Also significant is the heraldic character of the symmetrical configuration. With pairs of identical figures and emblems facing each other across a central motto, the device is remarkably like a coat of arms of medieval European times. Like all heraldic ensigns, the pectoral proclaims a program: the program of Egyptian kingship. The pharaoh surrounded and protected by gods guarantees the ever renewed creation of life and order in perpetuity.

The pectoral is a masterpiece of Egyptian jewelry making at its peak. The goldsmith surely from the royal workshop set 372 precisely cut pieces of semiprecious stone into tiny cloisons that he had formed from bands of sheet gold set on edge and fused to gold backing plates. The various colored stones bring this filigree of gold to brilliant life.

How to travel to the pyramid of Senusert II?

Senusert II’ pyramid at Illahun (Lahun pyramid) which you can travel there by train or by air.

Ramses III

King Ramses III (who ruled between roughly 1190 to 1150 B.C.E.), was the son and heir of Sethnakht who became the first King of the 20th Dynasty. Sethnatkht’s path to the throne is unclear. It is possible that there was a family relationship between him and Ramses II, but it is just as likely that he grabbed power when the opportunity arose just as Ay and Horemheb had before him.
Cartouche of Ramses III
Cartouche of Ramses III
 
Ramses III made his own claim to the throne clear by having the words “I did not take my office by robbery, but the crown was set upon my head willingly” inscribed on one of the temple pylons. Although the foriegn wars of King Ramsses III, along his life, even in peaceful times there was wide spread corruption and internal strife in Egypt. This unrest might have led to the harem plot, which occurred later in his reign, when several of his ministers and his wife Queen Ty aimed to have him assassinated during the Opet festival celebrations, intending to make Queen Ty’s son king.

Although the wide use of magic and spells, the plot appears to have failed as the culprits were caught and forced to commit suicide, but as Ramses appears to have died before their trial was complete, who is to say that they did not succeed in killing him after all. He was buried in the Valley of the Kings (KV 11) in an elaborate tomb that was initially intended for his father.

Wars and the Military Power of Ramsses III
 
Ramses III emulated Ramses II in many ways and he named several of his own sons after those of Ramses II. The original Prince Khaemwaset was one of the more famous sons of Ramses II as he became High Priest of Ptah but this Prince Khaemwaset although he also became a priest of Ptah did not rise to the same heights as his namesake. Nevertheless, he did hold high office and in his youth was ‘fan-bearer to the right of the King’. He was one of Ramses III older sons and it is thought that Queen Tyti may have been his mother but his age at death has never been determined. During his long period, Ramses III fought several campaigns including the battle with the sea peoples, which is shown on the walls of inner walls of the first pylon. Ramsses III records the following encounter with such foreigners: “The foreign countries made a conspiracy in their islands.…They were coming forward toward Egypt, while the flame was prepared before them. Their confederation was the Philistines, Tjeker, Shekelesh, Denyen, and Weshesh, lands united.” – In the continuation of this record, Ramses III claims to have defeated all of these forces handily, but that’s likely a bit of bravado, or propaganda.
 
King Ramses III left us not only a written account of his battles with these foreigners, but also pictures – one of which is this drawing found in his mortuary temple, depicting a sea battle with these foreigners. For two thousand years Egyptian civilization was second to none. By the time of Rameses III, however, the world was going through great upheavals. The long period of stability in the Middle East brought about by Thutmose III, and continued by Rameses II's victories over the Hittites, was about to come to an end. But Egypt was not about to give up and sink into oblivion, not yet anyway. There was still one more moment of glory for Egypt. During the first few years of his reign, Rameses III brought unity to the country. In his fifth year when the Libyans attacked, Egypt was well prepared. An organized and efficient Egyptian army easily defeated them. Ramses III also defeated other armies that threatened Egypt from the sea. Rameses III had two principle wives plus a number of minor wives and it was one of these minor wives that led to his destruction. She hatched a plot to kill him so she could put her son on the throne. Rameses III’s death marks the end of an era. He had ruled for 31 years and was the last of the great Pharaohs. Egypt now began to suffer economic problems and was unable to exploit the revolution of the Iron Age because Egypt had no sources of iron ore. But the most important factor in Egypt’s decline was a break down in society. There were disputes between officials and governors and infighting between Upper and Lower Egypt. The priesthood became very powerful and eventually they took control of the government. From this time onwards others would determine the destiny of Egypt. The Assyrians, Persians, Greeks and eventually the Romans were to become the lead players in Egypt’s destiny. 
 
Temple of Ramsses III (Mortuary temple )
 
Before entering the mortuary temple visitors pass under the windowed gateway where Ramses had his pleasure rooms and enter an open space which was once a magnificent garden. Facing, is the deeply carved first pylon, which shows Ramses fighting imaginary battles against the enemies of Egypt but on the inner walls are scenes of battles that he really did fight and win. To the right of the gateway is the temple that Hatshepsut built and on the left is the temple of the Divine Adoratrix, which was added at a later date.
 
Temple of Ramses III at Medinet HabuTemple of Ramses III at Medinet Habu

Inside the first pylon is a large open courtyard, and on the northern side stands rather fat-legged statues of Ramses in the form of Osiris with wives at his feet. Unfortunately, many of these statues were removed to make way for a Coptic Church, which remained inside the temple until the nineteenth century. 
 
In the second courtyard, a series of reliefs show scribes completing a tally of the dead after a battle with the Libyans. This series is interesting as it starts with the counting of hands, which confused the issue as each enemy had two, and finishes by counting penises of which they only had one. 
 
The temple has a chequered history. Apart from being plastered over with mud and turned into a Coptic monastery, when the Egyptian economy began to crumble it was the scene of a labour demonstration. Workers from Deir el Medina gathered there when they went on strike over their lack of pay and poor conditions of employment. Was this the first organised labour dispute? When social order broke down even further, gangs of Libyan bandits roamed the area and when they were attacked, the entire population of Deir el Medina abandoned their town and took refuge within the temple walls. Ramesses III Family: Prince Amun-her-Khopshef (her tomb QV55): Ernesto Schiapaelli discovered this tomb during the Italian expedition’s second diggings in the Valley 1903. Although, like many other tombs it had been looted probably not long after its completion, its structure and decorations were in good condition. The basic shape of the tomb is similar to that of Prince Khaemwaset, a straight corridor leading first to an antechamber and then to the burial chamber. There are single annexes leading from both rooms. The main theme of the tomb paintings is Ramses III introducing his son to various gods and there are some fine paintings of him wearing a serpent crown. Amun-her-Khepshef is shown with his hair in a side lock, like that shown below, which was a style worn by children. From this, we can assume that he, like many of his brothers, died in childhood and although estimates of his age at death vary, it is likely that it occurred when he was around fifteen years old. He was not one of Ramses III senior sons but he did hold many titles and is shown both in his tomb and in the Medinet Habu as being a fan-bearer on the right-hand side of his father, which was a position of importance that several of his brothers held. 
 
At the rear of this tomb is a case which holds a mummified foetus that myth ascribed to a miscarriage his mother (possibly Queen Tyti) had on hearing the news of his death. This is an interesting tale but that is all it is because later studies have discovered that the foetus was moved there from another tomb early in the 20th Century.

Prince Amun-her-Khopshef (QV55)

Ramses I (1315-1313 B.C.)

King Rameses I (1315-1313 B.C.), first king of the 19th Dynasty, ruled only a year and four months and was too old to bear the burdens of kingship alone and thus to have been the Pharaoh of the Exodus.
How Ramesses I came to the throne?
Horemheb had no son so he appointed his chief minister, Paramesse, as his successor to reward Paramesse’s loyalty and because Peramesse had a son and grandson to follow him on the throne. Paramesse took the name Ramses I when he became pharaoh and founded the 19th dynasty.
After the reign of Horemheb (1348-1320 B.C) the 18th dynasty was over, after presented service to Egypt and the Hyksos, and the 19th dynasty began. The first ruler of the new dynasty was Rameses I. His reign of 2 years was succeeded by his son, Seti I who did much to restore Egypt's prestige. There was one campaign against the Libyans and he also campaigned in the east and restored Egyptian control over Palestine. Egypt came into conflict with the Hittites in Syria, but by the end of Seti I's reign, the two powers seemed to come to an understanding. More about Rameses I and Daily Life In Ancient Egypt here.
The tomb of Ramesses I (KV16): KV16
KV16
Ramesses I ruled just one year and afew months, so his tomb came smaller than the other tombs of the dynasty 19 of Ancient Egypt history.
It contain just two descending staircases link with sloping corridor which lead to the burial chamber of Ramesses I.

KV16 Like the tomb of Horemheb (KV57), it was decorated with the Book of Gates.

Osiris (oh-SIGH-ris) was the Egyptian god of the afterlife and rebirth. He ruled the netherworld, and his son, Horus, ruled the world of the living. Every reigning pharaoh was identified with Horus and was thought to become one with Osiris after death. At Abydos (ah-BYE-dos or AH-bee-dos), the place most sacred to Osiris, Egyptian kings built temples and funerary chapels so they would be identified with him. They believed that through carved images of themselves their spirits would be able to participate in the annual celebration of the myth of Osiris, during which Osiris was actually reborn, and by extension, they would be reborn as well. Whenever possible, non royal persons also attempted to participate by erecting chapels and stelae at Abydos (slide 33). Originally this limestone relief was on the back wall inside a small chapel built by Seti I for his father, Ramesses I. In inscriptions on the chapel walls Seti declared, “I am the one who makes his name live” and “I will make him a place where his ka [spirit] can alight, drawn in outline and carved with the chisel”

Cartouches of Ramesses IThe scene is divided down the center. On the right Ramesses kneels and presents an offering of food and flowers to a cult symbol of Osiris that resembles a head covered with a cloth or wig and surmounted by two tall ostrich plumes. The symbol is supported by a shaft set into a stand equipped with sledge runners and carrying poles. Encircling the shaft are small figures of deities and the king. Actual cult symbols in the time of Seti and Ramesses were probably made of rich materials. Behind the Osiris symbol is the figure of Isis (EYE-sis), wife of Osiris. She holds an ankh in one hand and raises the other in a gesture of protection. The poses and arrangement of the figures on the left side of the scene are nearly identical to those on the right. Seti kneels and presents a small kneeling statue of himself offering a jar of myrrh to a cult symbol identical to the one on the right. Behind the symbol stands a falcon-headed figure of Horus, son of Isis and Osiris. He holds an ankh and raises the other hand protectively. The sense of balance is reinforced by the triangular composition.

Reliefs from the two side walls of the chapel are displayed with the central one in the Museum. One shows Ramesses, his face exhibiting signs of old age, receiving offerings of food and drink. In the other, he and his family make offerings to Osiris, Isis, and Hathor.

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