The City of Akhenaten (Amarna)

Pharaoh Akhenaten, his beautiful wife Queen Nefertiti, and his son Tutankamun were all part of this dynasty. During this time one of the most dramatic changes in Egypt took place: Akhenaten built a new city, Amarna, for a god named the Aten, and outlawed all other gods. The Amarna period, sometimes called “The Amarna Experiment,” resulted in some of the best-known art, tombs, writing and records of ancient Egypt. That is why, even though the period was only around 30 years long, it is one of the most famous in Egyptian history.

Imagine you could have the power to shape the world around you to build a city, change a religion and live as the representative of god on earth. It’s hard for people today to think of this kind of power, but it was the power that Pharoah Akhenaten wielded in Egypt during the Amarna period.

During his rule, from 1353 to 1336 BCE, Akhenaten changed Egyptian life in a big way. He moved the capital city of Egypt from Thebes to Amarna, then known as Akhetaten, a city he constructed on what had been just a piece of desert. There he created a new religion, new religious leaders and new temples. His influence lived on beyond his death.

Amarna

Visualization  of  an  Atenist  temple

You may know that throughout their history, ancient Egyptians worshipped many gods and goddesses. These deities each had histories and Egyptians believed they interacted with each other. Together, they were believed to influence everything from health to rainfall to the afterlife.

Everyday Egyptians kept images of the gods and goddesses in their homes, and communicated with them. Making offerings, celebrating religious holidays and preparing complex funerals were all a part of Egyptians’ constant interactions with their gods.

Akhenaten was born into this world of many gods. At that time, Amun Re was the most important of the Egyptian’s gods. Amun Re was a mysterious god with many abilities, but he appeared to the people as the sun. A powerful group of priests served Amun-Re.

When Akhenaten became king around 1353 BCE, he began to make changes. He declared that there was only one god who could be worshipped - the Aten —- and he declared that as the pharaoh he was the only person who could communicate with this god. Why did Akhenaten make this huge change? Some people think he wanted to get rid of the powerful priests of Amun Re, whose power could challenge the pharaoh’s. Other people think that Akhenten was totally dedicated to the Aten, and that he was one of the first people in history to express unique and personal thoughts on spirituality. The Aten literally meant “the disk of the sun.” Akhenaten searched for a place to build a new city for the Aten.He found it in a spot where the sun appeared to rise from an eastern valley and spread its light over a broad piece of land in front of the Nile River. The new city was named Amarna, “horizon of the Aten.”

The pharaoh lived at Amarna with his family. As a result, all the government officials, artists, builders and families who served the king moved there, too. Life in Amarna revolved around the Aten.

As the population grew, the city stretched north and south along the Nile, which was the source of water for the wells the people of Amarna dug into the desert. Official royal buildings and the temples of the Aten were concentrated in the heart of the city. Suburbs, where most people lived, surrounded the center of the city.

Pectoral of Tutankhamun

Pectoral of Tutankhamun:


1- This is a Pectoral, or chest ornament, which was worn by both men and women. It was discovered intact in the tomb of Tutankhamun. The piece depicts Scarab Beetles or Khepri, pushing the sun.

Khepri was believed to be a Sun god by the ancient Egyptians, and was represented as a scarab beetle. The jewel is also decorated with inlaid lotus blossoms, which hang at the bottom.


2- Winged Scarab Pectoral of Tutankhamun:

Winged Scarab Pectoral of Tutankhamun, is filled with symbolism, made with semi-precious stones (carnelian, lapis lazuli, glass,) and with a lotus blossom fringe.

The symbols of the Ankh and the Eye of Horus (Udjat) are among the most used in ancient Egyptian Art.


3- Golden pendant of Tutankhamun: 

This pendant made with a method called Cloisonné and inlaid with semiprecious stones and colored glass. It is full of symbols and hieroglyphs.

The central element of the composition is a winged scarab with a yellow stone of disputed origin which  grasps on one side a lotus and on the other a papyrus flower, flanked by two uraei (cobras.).

A gold frame outlines the main composition and supports pendants of lotus flowers, papyrus, and poppy seed heads.  

A slim solar boat rests upon the front feet of the scarab and carries the Udjat eye of Horus, flanked by two cobras. The Udjat eye is surmounted by a lunar crescent of gold and a silver disk with images of the gods, Thoth and Re-Horakhty, crowning the central figure of the king. 


4- Tutankhamun’s Necklace with a Pectoral in the Form of a Solar Boat:

This pectoral is centered on a scarab of lapis lazuli, that symbolizes the god, Khepri.  

Khepri represents the sun on the horizon of the new day. The scarab holds a solar disc of carnelian surrounded by a gold rim. The beetle is flanked by two baboons with lunar symbols on their heads.  

This item was discovered inside an inlaid box of ebony and ivory with an inscription that read: "gold jewelry for the funerary procession from the bedchamber of Nebkheperure.” This was Tutankhamun’s coronation name. 


5- Tutankhamun’s Necklace of the Sun on the Eastern Horizon:

The artist who made this Pectoral used the hieroglyphic sign for 'horizon' (akhet), which represents the sun rising between two mountains, with the scarab ( the sun-god) pushing the sun in front of it He has also added uraei (cobras) with pendent 'life' signs (ankh) to the 'horizon' hieroglyph, showing that the rising sun is bringing life to Upper and Lower Egypt.

On the symbol for the sun-god's gold barque (boat) are two uraei, one in the prow and the other in the stern; on their heads are disk of the sun and their tails are  replaced by three amulets symbolizing 'goodness' (nefer), 'life' (ankh) and 'stability' (djed). 

The straps of the pectoral are made of separate inlaid gold plaques held together at the back and the sides by rows of small gold, carnelian and glass beads. The plaques use the same elements as those in the pendant, except that the sun's disk is substituted for the sign of the horizon, and  the hieroglyphic sign for 'festival' is placed beneath the scarab. 



6- Gold cuff bracelet of Tutankhamun:

This gold cuff bracelet is composed of two semicircles joined together by a hinge on one side and a clasp on the other.  

The central plaque bears a cloisonné scarab inlaid with lapis lazuli. The scarab, symbol of the morning sun, was the most popular motif used in jewelry. The bracelet itself is also inlaid with carnelian, lapis lazuli, turquoise, quartz, and colored glass. 


7- A Pectoral of Tutankhamun with Eye of the god Horus:

A Pectoral of Tutankhamun, dominated by the Eye of the god, Horus (the Udjat).

Pectoral of Senusret II

Pectoral of Senusret II from the tomb of Sit-Hathor Yunet, daughter of Senusret II, found at El Lahun. This cloisonné pectoral is inlaid with 372 carefully cut pieces of semiprecious stones.

Pectoral of Senusret II

Hieroglyphic signs make up the design, which read: "The god of the rising sun grants life and dominion over all that the sun encircles for 1,100,000 years (eternity) to King Khakheperre [Senusret II]." Zigzag lines on the base bar represent the primordial waters out of which the primeval hill emerged. Each of the falcons, symbols of the sun god, clasps a circular hieroglyph meaning "encircled," thus declaring the solar deity's supreme power over the universe. The same hieroglyph, elongated to form a cartouche, encircles the throne name of Senusret II, Khakheperre.

Flanking the king's name are two ankh hieroglyphs (meaning "life") suspended from cobras whose tails are wound around the sun disk on the falcons' heads. These snakes represent Nekhbet and Udjo, the traditional protector goddesses of the king. Supporting the royal cartouche is the kneeling god Heh clutching two palm ribs symbolizing "millions of years.

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