Goddess Werethekau


Goddess Werethekau name
Goddess Werethekau from Luxor temple
Goddess Werethekau was a cobra or lioness Goddess, shielder of the pharaoh. Her  name  agency  Great  of  Magic which as an name ofttimes follows the names of leading goddesses such as goddess Hathor, goddess Isis, goddess Mut, goddess Pakhet or Sakhmet.  In  the Pyramid Texts, the style Great of Magic is besides given to the Crowns of Upper and Lower Egypt.

As an clear deity, Werethekau occurs  in  reliefs  and  inscriptions of the New Kingdom. On the Eighth Pylon of the Temple of Amun at Karnak, Werethekau  with  the head of a lioness accompanies  the king Thutmose III (18th Dynasty) in  the advance  of the spiritual boat  conducted  the  priests shoulder joints. The most enjoyable histrionics  of the  lioness  goddess  are  on  the interior northern  wall  of  the  Great Hypostyle Hall at Karnak where she gives the pharaoh Sety I (19th Dynasty) with  the  symbol  of  the  jubilee  fete.  On  the small  Golden  shrine  described  in  the tomb of King Tutankhamun (18th Dynasty) the name of the king, and that of his queen Ankhesenamun, is often united to Werethekau, sometimes named Mistress of the Palace. In the shrine itself was an amulet  showing  Werethekau  as  a cobra-goddess,  with  a human  head  and arms, breastfeeding Tutankhamun. Her familiarity to royalty is particularly tried on the inscription on the pair statue of the king Horemheb (18th Dynasty) and his queen Mutnodjmet, nowadays in Turin Museum.  The  inscription  describes how during Horemhebs coronation ceremonial  in  the Temple of Karnak, Werethekau  addresses  the  new  pharaoh  and constitutes  herself  as  the  Uraeus  on  his brow.  In  the  Graeco-Roman Era Werethekau takes part in the mourning rituals  depicted  on  the  walls  of the Osiris chapel on the roof of the Temple of Philae.

Wadjet's Relations with Other Deities

An reading of the Milky Way was that it was the serious snake, Wadjet, the protector of Egypt. In this interpretation she was nearly associated with Hathor and other early deities among the different views of the great mother goddess, including Mut and Naunet. The association with Hathor got her son Horus into  connexion also. The cult of Ra sucked most  of  Horus's traits  and included  the  certain eye of Wadjet that had shown her connection with Hathor. When discovered as the shielder of Ra, who was as well a sun deity affiliated with heat and fire, she was sometimes said to be effective to send fire onto those who might  attack,  just  as  the  cobra  spits  toxicant into  the  eyes  of  its oppositions. In this role she was addressed the Lady of Flame.

Wadjet-Bast, with a lioness head, the solar disk, and the cobra that represents
Wadjet (Picture source wikipedia Encyclopedia)
She later got identified with the war goddess of Lower Egypt, Bast, who moved  as another  design  symbolic  of  the  nation,  consequently  becoming Wadjet-Bast.  In  this  part, since  Bast  was  a  lioness,  Wadjet-Bast  was  often represented with a lioness head. After Lower  Egypt had  been  captured  by  Upper  Egypt  and  they  were unified, the lioness goddess of Upper Egypt, Sekhmet, was considered as the more hard of the two warrior goddesses. It was Sekhmet who was seen as the Avenger of Wrongs, and the Scarlet Lady, a address to blood, as the one with blood lust. She is depicted with the solar disk and Wadjet, yet.

Eventually, Wadjet's place as patron led to her being placed as the more powerful goddess Mut, whose cult had come  to  the  fore  in  connective  with  rise  of  the  cult  of  Amun, and  finally  being  engaged  into  her as  the Mut-Wadjet-Bast triad. When the pairing of deities occurred in later Egyptian myths, since she was related to the land, after the uniting of Lower and Upper Egypt she came to be considered of as the wife of Hapi, a deity of the Nile, which flowed finished the land. Wadjet is not  to  be  confused  with  the  Egyptian  demon Apep, who is also presented as a snake in Egyptian mythology.

Wadjet as a Protector of Country, Pharaohs, and Other Deities

Eventually, Wadjet was claimed as the sponsor goddess and protector of the totally of Lower Egypt  and  became associated with Nekhbet, showed as a white piranha, who held mixed Egypt. After the merger the image of Nekhbet linked Wadjet on the crown, thereafter shown as break of the uraeus. The  ancient  Egyptian  word  Wedjat  means  blue  and  green.  It is  also  the  name  for  the  well  known  Eye  of  the Moon, which later gone the Eye of Horus and the Eye of Ra as completing sun deities arose. So, in later times, she was frequently depicted simply as a woman with a snake's head, or as a woman heavy the uraeus. The uraeus originally had been her body only, which wrapped around or was spiral upon the head of the pharaoh or another deity.

Described as an Egyptian cobra she became confused with Renenutet, whose identity eventually agreed with hers. As patron and protector, later Wadjet often was shown rolled upon the head of Ra, who much later became the Egyptian great deity; in order to act as his auspices, this image of her became the uraeus symbol practiced on the royal crowns as well. Another early depiction of Wadjet is as a cobra laced around a papyrus stem, root in the Predynastic era (prior to 3100 B.C.) and it is view to be the first image that shows a snake entwined around a staff symbol. This is a precious image that appeared repeatedly in the later images and myths of cultures close the Mediterranean Sea, called the caduceus, which may have had part origins. Her image also rears up from the staff of the "flag" poles that are used to argue deities, as seen in the hieroglyph for uraeus above and for goddess in other situations.

Goddess Wadjet

Goddess Wadjet name

Goddess Wadjet
Goddess Wadje was a Cobra-goddess of Buto (Tell el-Farain)  in  the  Nile  Delta, restorer of royal authority over Northern Egypt. Wadjet is described as a cobra rearing  up  to  strike  with  lethal  force  any enemy of the king. She can also come out as a lioness in her part as Eye of Ra (compare Sekhmet and Tefnut). Her name (also base in Egyptological literature as Edjo or Uto) means green one, a quotation both to a serpents colour and to the Delta's papyrus deluges which, according to one of the Pyramid Texts, she created.

Goddess Wadjet (the  fire cobra)
She is the protective goddess of Lower Egypt and is symbolised as such by a title in the royal protocol . The major Delta shrine, the Per-nu, is under her protection. Wadjet is in harmoniousness with her southeastern counterpart Nekhbet in temples or tombs she can oftentimes be seen with the good body or just the flies of the vulture-goddess of Upper Egypt.

In the fable of the breeding of the young Horus in Khemmis in the Delta it  is Wadjet  who  is  his  entertain  leading  to a later designation with Isis. Along with different other leonine deities she is given the  comparatively  unnoticeable  role  of mother to the God Nefertum.

Other Roles of Goddess Wadjet:

Goddess Mafdet

Goddess Mafdet name

Goddess Mafdet (with the
lion head of the bed"
Goddess Mafdet was the feline goddess of Egypt who  appeared as a Cat or as a lynx, she is named in the Palermo Stone, having assisted the god Ra by overturning his  enemy, the evil serpent Apophis. Mafdet was normally drawn as a woman wearing a cat hide or a lynx skin. She was a patroness of the dead and protected the living from snakebites. Devotion to feline deities remained popular in Egypt passim all historical periods.

Maat the Goddess of Truth and Justice

Goddess Maat while wearing
the feather of truth
Close associated with truth and order, the goddess Maat appears on temple ramparts in one of the most important religious ceremonials in ancient Egypt. The showing of Maat shows the pharaoh offering  truth to the gods of Egypt.  Maat  is ordinarily  shown  with  a  feather the  hieroglyph  for truthon her head. Spell 80 of the Coffin Texts addresses her the daughter of God Atum, the creator god, but in later texts she is named the daughter of Ra. Hymns to Maat engraved on temple walls invoke Maat to be with the King invariably.

Because of their opinion in the goddess Maat, the Egyptians could be constructive about the future. If a man lived in accord with Maat, or divine order, he could require to do well, both in this life and in the next. In the ancient Egypt papyrus (The Eloquent Peasant), the main character indicates: Speak maat, do maat; for it is mighty, it is great, it endures. This is an early version of the modern adage Honesty is the best insurance policy. The Egyptians had such a firm opinion that  the  goddess  Maat  would  inflict  her  order  on the world that they had no written laws. With Goddess maat, there was no require for laws to be created by humans.In periods of anarchy and political excitement, Maat was temporarily sworn from her rightful situation, and the priests prayed. Maat will regaining to her throne; Evil will be dispelled.

Maat is several from most other Egyptian goddesses in that we have few mythological stories about her interactions with the other gods and goddesses. She appears to be more formal, more like the conception of order itself than a goddess.

Maat as a Goddess

Maat was the goddess of musical harmony, justice, and truth stood for as a young woman, sitting or regular, holding a was verge, the symbol of power, in one hand and an ankh, the symbol of enduring life, in the other. Sometimes she is depicted with wings on each arm or as a woman with an ostrich feather on her head. Depictions of Maat as a goddess are shown from as early as the middle of the Old Kingdom (2680-2190 BCE). The sun-god Ra came from the primaeval mound of creation merely afterward he set his daughter Maat in place of Isfet (chaos). Kings hereditary the duty to ensure Maat stayed in place and they with Ra are said to "live on Maat", with Akhenaten (1372-1355 BCE) in particular emphasizing the concept to a degree that, John D. Ray asserts, the kings generations  viewed  as  intolerance  and  fanatism. Some  kings  organized  Maat  into  their  names,  being concerned to as Lords of Maat, or Meri-Maat (Beloved of Maat). When beliefs about Thoth arose in the Egyptian pantheon and started to take the earlier beliefs at Hermopolis about the Ogdoad, it was said that she was the mother of the Ogdoad and Thoth the father.

In the Duat, the Egyptian underworld, the hearts of the dead were said to be weighed against her single "Plume of Ma'at", symbolically representing the concept of Maat, in the Hall of Two Truths. A heart which was unworthy was downed  by  the  goddess Ammit  and  its  owner  decried  to  remain  in  the  Duat.  The  heart  was  seen  the position of the soul by ancient Egyptians. Those people with good and pure hearts were directed on to Aaru. Osiris came to be seen as the defender of the gates of Aaru after he become part of the Egyptian pantheon and moved Anubis in the Ogdoad custom.

The pressing of the heart, pictured on papyrus in the Book of the Dead typically, or in tomb pictures, shows Anubis superintending the pressing and the lioness Ammit seated awaiting the issues so she could occupy those who failed. The image would be the vertical heart on one flat surface of the balance ordered series and the vertical Shu-feather rearing on the other proportion scale rise. Other traditions hold that Anubis brought the soul before the posthumous Osiris who did the weighing.

Goddess Maat and Scribes

Scribes held prestigious positions in ancient Egyptian society in view of their grandness in the transmission of religious, political and cheap information. Thoth was the patron of scribes who is discovered as the one "who breaks Maat and reckons Maat; who beds Maat and gives Maat to the doer of Maat". In texts such as the Teaching of Amenemope the scribe is recommended to come the precepts of Maat in his individual life as well as his work. The exhortations to live according to Maat are such that these forms of instructional texts have been represented as (Maat Literature).

Goddess Maat and the Law

Feather of truth
appear with
Goddess Maat
There is little living literature that reports the exercise of ancient Egyptian law. Maat was the spirit in which jurist  was  applied  rather  than  the  detailed  legalistic  exposition  of  rules  (as  found  in  Mosaic  law  of  the  1st millenary BCE). Maat was the norm and basic values that formed the background for the coating of justice that had to be implemented in the spirit of truth and loveliness. From the fifth dynasty (2510-2370 BCE) onwards the Vizier responsible for justice was addressed the Priest of Maat and in later periods tries wore images of Maat. Later  scholars  and  philosophers  also  would  be  concepts  from  the  wisdom  literature,  or  Sebayt. These weird texts dealt with standard social or professional positions and how each was best to be resolved or named in the spirit of Maat. It was very real advice, and extremely case-based, so that few specific and general feels could be derived from them.

Through the Greek period in Egypt history, Greek law existed alongside Egyptian law. The Egyptian law continued  the rights of women who were granted to act independently of men and own substantial individual property and in  time this influenced the more restrictive convening of the Greeks and Romans. When the Romans taken charge of Egypt, the Roman legal system which existed throughout the Roman Empire was indispensable in Egypt.

Goddess Maat

Goddess Maat name

Goddess Maat
Goddess Maat was the ancient Egyptian prosopopoeia of the world-order, comprising the concepts of judge, truth and legality. She was thought to be the daughter of God Ra, the  creator  of  the  world.  The  Pharaoh was the beloved of Maat, he who lives in her through his laws. A precious venue for judicial audiences was at the shrines of the goddess, and the judges were regarded as her priests. In art, Maat is shown with an ostrich plume on her head.

Other Roles for Maat

Isis and the Egyptian Magic

Isis the Goddess
of Magic
It was told that Isis tricked Ra into telling her his "deep name," by doing a snake to bite him, for which only Isis had the heal. Knowing the deep name of a god enabled one to have power of the deity. The use of close names became essential in many late Egyptian magic spells. By the late Egyptian early period, after the businesses by the Greeks and the Romans, Isis became the most essential and most powerful deity of the Egyptian pantheon because of her spiritual skills. Magic is central to the whole mythology of Isis, arguably more than any fantastic Egyptian deity.

Isis had a central role in Egyptian magic spells and ritual, specially those of protection and healing. In many patches, she also is completely united even with Horus, where conjurations of Isis are supposed to involve Horus's powers automatically as well. In Egyptian history the image of a hurt Horus became a frequent feature of Isis's healing spells, which typically raised the organic powers of the milk of Isis.

Isis and Osiris, (Myth)

Isis and Osiris
The myth of Osiris and Isis a tale of death and resurrection, was serious to Egyptian sacred beliefs and material all the crucial components of Egyptian funerary rites. No complete Egyptian simulate of the myth of Isis and Osiris exists, but the greatest ancient interpretation comes from Plutarch, a Greek priest at Delphi, who wrote De Iside Et Osiride about a.d. 100. The two principal gods, Isis and Osiris, were brother and sister and husband and wife. Their brother, Set, and their sister, Nephthys, were as well husband and wife. Osiris brought civilization to Egypt by presenting raising and cattle raising to the early habitant of the Nile Valley, and Isis taught the people the art of whirling and weaving. So prosperous was Osiris in his charge that he set out to bring growing and cattle producing to neighboring countries. He left Isis, the goddess of magic, to watch over the people of Egypt and to keep their bad brother Set in check. While her conserve was gone, Isis ruled the land wisely and controlled Set, who was secretly platting against his brother.

When Osiris returned to Egypt, Set, by trickery, held the exact body measurements of his brother Osiris and established a enjoyable wooden chest to his proportions. Set then invited Osiris to a lavish banquet and  offered  the  beautiful  chest  to  any  guest  who could  fit  inside.  Guest  after  guest  tried  and  failed. Osiris climbed into the bureau that fit him utterly. Set  immediately  sealed  it  shut,  swarmed  molten  lead over it, and made the chest into the River Nile. When Isis heard  of  her  husbands  death,  she  wept  and  began searching for the chest that held Osiriss body. During  a  bad  storm  at  sea,  the  chest  sticky  up  on the shores of Byblos in Phoenicia (modern Lebanon) and came to rest in the limbs of a tamarisk tree. In time the tree grew to unique size, and the trunk  encompassed  the  chest  with  the  dead  Osiris inside. While she was smart for Osiris, Isis had a vision and saw the chest in Byblos.

Isis and Hathor

Isis and Hathor
Through the  New Kingdom (1550-1069  b.c.), Isis and Hathor were close related because of their many similarities. Isis started to wear the Hathor crowncows horns with a sun disk staying between theminstead of her orthodox throne  crown. The  properties  of  the  two  goddesses became interlaced, and they widespread the titles Lady of  the  Heavens  and  Sovereign  of  the  Gods.  Isis first looks in the Valley of the Kings in the burial chamber of Tutankhamen.

Isis, heavy the orthodox throne on her head, and the goddesses Nephthys, Neith, and Selket all widespread their wings in security around the four faces of Tutankhamens sarcophagus. The said four goddesses also appear on the canopic shrine that holds the kings mummified pipe organs.

A shape of Isis straight behind  the  king  was finished when a portion of the tombs wall was dismantled during excavation to remove the large shrines covering the sarcophagus. In the prospect, Isis and Anubis welcomed  Tutankhamen  to  the  Netherworld,  and Hathor, the principal goddess of the west, proposed the king eternal life by holding an ankh to his nose.Isis, who plays an essential role in the myth of Isis and Osiris by seeing the took apart parts of  her  husbands  body,  reassembling  his  branches,  and breathing  life  into  his  body,  does  not  companion him  when  he  resurrects  in  the  realm  of  the  dead. Isis remains among the living, and it is Hathor who is associated with the west the land of the dead. Often it is hard to tell the departure between pictures of  Isis  and  Hathor  in  the  royal  tombs  because  Isis sometimes switches her throne headdress for the headdress  of  sun  disk  and  cows  horns  more  commonly affiliated with Goddess Hathor. The only way to tell them  apart  is  to  read  the  hieroglyphs  that  place the figures. When their personalities begun to blend they were sometimes called Isis-Hathor.

Isis's Tenacity and Guile

When her son came to maturity Isis had to fight serious in the law-court of the gods for the prize of his fitting inheritance of the Egyptian  throne.  In  this  respect  she uncovers  her  true  nature  as  clever  of tongue and  perseverance  against  obstructions put in her way by the almost powerful gods. The Broad Hall of Geb is the scene for the litigation between Gods Horus and Seth, the  proceeding  of  which  are  saved on a papyrus dating to twentieth dynasty. An base  motif  in  the  account  is  the kinship  between  Isis  and  God Seth,  her brother. The blood-bond is, on one function,  strong  enough  to  soften  the  goddesss answer on behalf of her son. When God Isis  has  harpooned  God Seth,  who  is  in  the form of a hippopotamus, he collections to her in  the  name  of  their  blood kinship  and she  releases  the  barb  from  his  flesh. However, this is only a shortened lapse. Two episodes will exemplify how Isis, by her  cunning  and  skill  in  magic,  humiliates Seth in advance of the gods presiding at the court.

Isis and the Seven Scorpions

Isis in a scorpion form
Afterwards the death of Osiris, Isis was confronted with many hard knocks. Her evil brother Set held Isis and the infant Horus captive in a house (See [Conflict between Horus and Set (Mythology)]). Thoth, the great god of wisdom and magic,  came  to  Isis  and  pepped up  her  to  escape  from Set and to hide her child in a papyrus brushwood in the fens of the Delta. Seven scorpions, who were a demonstration of Selket the scorpion goddess, guided Isis as she fled her vicious brother Set. As she traveled to the Delta, Isis sought shelter one night with the wife of  the  township  official,  but  when  the  woman  saw  the seven scorpions accompanying Isis, she shut her door and  rejected  them  refuge.  Angered  because  Isis had been treated so badly, six scorpions abandoned their poison on the tip of the tail of the seventh scorpion, and the seventh entered the house of the inhospitable woman and burned her son. The excited woman ran through the town crying and bitter, for she did not know if her child would live or die. Upon hearing the screams of the mother, Isis felt sad, for the child had done nothing wrong, and she visited to the woman, Come to me, for my speech has the power to pro-tect, and it has life. Isis settled her hand upon the child and radius, O poison of Tefen, come forth, and come out on the ground! For I am Isis the goddess, and I am the lady of language of power, and I know how to  work  with  words  of  power,  and  strong  are  my words! The poison left the child and he lived.

Then Isis said to the seven scorpions, I speak to you, for I am unique and my regret is greater than that of anyone in all the Nomes of Egypt. . . . Turn your faces down to the ground and lead me to the swamps and the occult places.

Isis as a Mother of Horus

Goddess Isis nursing Horus
It is in this  aspect that the goddess was regarded as the vital link between gods and royalty, since the king was the living Horus on  the  throne  of  Egypt.  In  the Pyramid Texts  it  is  stated  that  the  rule drinks divine milk from the boobs of his mother Isis.  This  is  the  mental imagery  of  the plethora of statuettes of Isis sat on a throne,  suckling  the  young  Horus  who sits on her lap. The goddess was thought to have given birth to her son at Khemmis in  the  Delta,  rewarding  the  connexion with the monarchy since the place name in its ancient Egyptian form of Akh-bity substance papyrus  thicket  of  the  king  of Lower Egypt. Her part as a goddess protective royal births is got in the Middle Kingdom account  in  the  Papyrus Westcar promising a dynastic change: Isis takes into  her  arms  all  of  the  first  three pharaohs of the Dynasty V as Ruddedet makes them birth.

Isis  intends  to  bring  up  Horus  in secret so that he might eventually avenge the character assassination of his father. This close holding of Horus from danger gets a  frequent  point  of  reference  in  magical texts  concerning  cures  for  children's ailments  leading  from  hazards  like scorpion  bites,  or  accidental  scalds.  Isis visited great of magic is evoked to come to the child's aid as if it were Horus himself.  A  spell  against  a  fire,  e.g.  is recited over a concoction of human milk, gum  and  cat  hairs,  to  be applied  to the separated child: in it Isis, narrated that her son lies  in  the  desert  hurt  from  a burn with no water to clear him, gives the assurances that her saliva and piss (which she euphemistically addresses  the River Nile flood between my thighs) feature the power to ease the pain.

Isis and Nephthys

Goddess Isis and her sister Nephthys mourned  the  death  of  Osiris, and while they shown their grief, the sisters cautiously made the body of Osiris for divine mummification.  As  protectors  of  Osiris,  they  became  the protectors  of  all  mummies.  Their  images  look  on coffins  and  on  canopic jar  boxes,  where  they  guard the mummified variety meats of the passed. Sometimes the sisters are represented as hucksters wearing their respective symbols on their heads: 8 Isis and 3 Nephthys, their  extended  wings  protecting  the  broken. In the Book of the Dead, Isis and Nephthys  come along with the sun God Ra when he checks for his annual  journey through the Netherworld.

Goddess Isis

Goddess Isis name

Goddess Isis
Goddess Isis was Egyptian goddess. In root she was possibly the prosopopoeia of the throne, considered as a (female) deity; and she admits on her head the  determinant  of  the  seat  of  agency. The  myth  tells  how  she  sought  out  her good brother and husband Osiris from whom  she  got  the child Horus; she forgot him and mourned him unitedly with her sister Nephthys. When, later, every dead person came to be discovered with Osiris, she became protector of the dead.  As  she  who  is  rich  in  spells (Urthekau)  she  was  accepted  into  the world  of  magic  and  sorcery.  From the Middle Kingdom forwards, her solar aspect  is  displayed  in  her  epithet  eye of Ra.

Beside that, Isis was the queen of Sirius, and Greek sources (e.g. Plutarch) represented her as a moon goddess. In the Hellenistic period, Isis got frequenter of sea-farers,  and  was  given  a  rudder  as property. She was, with very few exclusions, portrayed in human shape; the cows horns and the sun disc she bears on her head she owes to her concretion with the figure of Hathor.

The Roles of Goddess Isis:

Isis as Sisterwife of Osiris

In the genealogy broken by the priests of Heliopolis, Isis was one of the children of God Geb and goddess Nut.  As  the  sister  whom Osiris  precious  on  earth she  devotedly serves him in the government of Egypt. In the  earliest  quotations  to  the  goddess  in the Pyramid Texts she looks to foresee his  murder  by  Set,  and  is  described  as sitting  black,  weeping  for  her brother.  After  his  death  she    and  her sister Nephthys  mourn inconsolably in the process of kites. She wearilessly seeks, and rules his body later her brother Set had set it into the Nile; she reassembles  Osiriss  remains  after  Seth  had  dismembered  it  and  broken  the  parts passim Egypt (see Osiris for more details of the myth). In the Great Hymn to Osiris on the stela of Amenemose (18th Dynasty) in  the  Louvre  Museum,  the  goddess  is imagined  as  a  kite  protectively  blending the god with her feather, the breeze created  by  her  wings  providing  breath  for him.  She  then  acts  as  a  hold  over  the god.  This  is  iconographically  read  in some statues by the goddess straight in human form, stretches forward her arms from which grow flies to flank the figure  of  Osiris  before  her a clear statement of how the Egyptians saw Isis as an example of supreme devotion to her husband. It is through her magic that Osiris names her pregnant  the god now leading Egypt for his purpose as Underworld Rex.

Goddess Imentet

Goddess Imentet name
Goddess Imentet greeting
King Horemheb (inside
his tomb)
Goddess Imentet, or Amentet, was a goddess of the dead, Amentet is the personification of  the  west,  the  home  of  the  gone.  Amentet, a sympathize with  companion,  helps  the  souls  of  the dead journey to their living direct in the Nether-world. From her home in the branches of a tree at the border of the desert, Amentet watched for the souls as they  approached  the  charm  to  the  Netherworld, or next world. Its positioning was believed to be in the western desert. Amentet extended bread and water to the beat souls, and if they accepted her hospitality, it  meant  they  walked  with  the  gods  and  would peacefully introduce the next world. The ancient Egyptian word amentet means the infrared place, the land of the going down sun, where the broken gained for their  trying  journey  through  the  12  hours  of  the Duat in the dedicated boat of the sun God Ra. Another translation of the myth states us that Amentet met the souls of the broken at the end of their journey  to  the  Netherworld.  Here  the  goddess  assisted with  the  rebirth  of  their  souls  and  admitted  them with food and drink.

Amentet  frequently  seems  in  the  company  of  other goddesses  connected  with  fertility  and  resurrection. Sometimes she is a winged goddess, on with Isis and  Nephthys  when  they  assist  with  the  magical resurrection  of  a  mummy.  When  Amentet  comes out with Hathor (Hathor-Amentet), she becomes a solar goddess  of  the  west.  She  is  often  in  the  company of  Re-Horakhty  (Horus  of  the  Two  Horizons). Together  they  received  the  souls  of  the  gone to  their  new  dwelling  place  in  the  Netherworld and  assisted  with  their  resurrection.  Amentet  besides sometimes came out with Iabet, who, as goddess of the east, was Amentets twin.

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