God Apophis

God Apophis Hieroglyphic Name

God Apophis (the snake)

God Apophis was a giant  serpent  with secret  powers  who  was  the  opposition  of  the  God Ra. Apophis was in the waters of Nun, the cosmogonical domain of chaos, or in the ethereal waters of the Nile, the divine  entity  envisioned  in  Egyptian  religious  texts.  He tried each day to stop R from his firm passage through the sky. In some traditions, Apophis was a last  form  of  Ra  that  had  been  discarded,  a  myth  that reported for the strength of the creature. Apophis was taken for to be a sound threat to R by the Egyptians. On  sunless  days,  especially  on  stormy  days,  the  people took  the  lack  of  sunlight  as  a  sign  that  Apophis  had immersed R and his solar boat. Apophis never got a lasting  victory,  however,  because  of  the  prayers  of  the priests and the close. The ritual document, the Book of  Overriding Apophis,  and  the  Book  of  Knowing How  Ra  Came  into  Being  and  How  to  Upset Apophis were learned in Karnak, and in the Papyrus Bremner-Rhind,  and  contained  a  list  of  the  serpents secret names that would wound him if recited aloud and a selection of hymns to be sung to keep Ra victories. A serials  of  terrible  assaults  were  invested  upon Apophis apiece time the serpent was killed, but he rose in strength  that  observing  morning,  an  image  of  evil always made to attack the righteous. Apophis was the prosopopoeia of dark and evil.

God Serapis

God Serapis Hieroglyphic Name

God Serapis

God Serapis was an human like God created by the Greek King  Ptolemy I. Ptolemy I chose Serapis to be the official god of Egypt and Greece alike. He hoped a bad spiritual base would mix the 2 peoples and ease tension in the country. Serapis' properties were both Egyptian and Hellenistic. Serapis become very popular and his cult quickly spread from its heart in Alexandria. A Roman historian took a firm stand that the god was to begin with from Asia Minor. However, Egypt likely provided the serious attributes of Serapis. Serapis' Egyptian nature can be saw in his roots, which were drawn from the crazes of Osiris and the Apis bull. These rages had been combined prior to the dominate of Ptolemy I. At that time, a spiritual bull of Memphis addressed Osorapis was favorite after its expiry. Osorapis was an agricultural god whose cult emphasized the Egyptian rules of life afterwards death. The early Greek pharaohs seemed to have been run to Osorapis as a god who appeared to fuse the countless of Egyptian gods and disciplined aspects that were easily fusible with the gods of the Greeks.

The Hellenistic factors of Serapis prevail Serapis' (personality) and iconogrpahy. Many greek deities brought to his nature, taking on: Zeus, Helios, Dionysos, Hades and Aesculapius. From "Zeus" and "Helios" he taken the looks of reign and sun-deity. Dionysos brought to him the attribute of presiding over nature. Hades connected him to the hereafter and Aesculapius made him the art of healing. The Greek pictures of Serapis show him with long hair and a long beard. He is seated on a throne with the 3 headed dog of Hades, Cerberus, at his feet. The Egyptian images of the god present him as a mummified human with the bead of a bull. He is royal with the elliptical moon and two clothes.

God Neper

God Neper Hieroglyphic Name

God Neper

 Neper was a God of grain, in Egyptian Gods, while Nepit was a goddess of cereal, and the female counterpart of Neper.

Seen  in  human  kind,  Nepri  is  frequently  described  as  a  child  nursed  by  Renenutet. Nepri's  body  was  figured  to play grains of corn. The hieroglyphics that write his name similarly take the symbols of grain. As lord of the mouth, Neper's mother was named as Renenutet, who gone the Ren, a person's true name, and who was also named as source of nutrition. In particular, Neper was especially associated with the most used types of grain, namely barley and emmer wheat. His name simply means lord of the mouth, a reference to the function of texture as nutrition. Once the myth of Osiris and Isis had started to be told, since Osiris was now a life-death-rebirth deity, in bad with many cultures, his story was related with the annual harvest, and the annual disappearing of any visible life in the crop. Thus, at this point, Neper became seen merely an aspect of Osiris, a much more important god, gaining the title (one who) lives afterwards last.

God Amenhotep Son of Hapu

God Amenhotep

Amenhotep son of Hapu was natural in the Nile delta past in the prevail of King Thutmose III. Hapu ,his father,  was a lower. Amenhoteps first famous official situation was royal scribe. He was thus an shape of the Egyptian belief that education was the key to running up in society. Eventually, he grown Chief of All the Kings Works in the reign of King Amenhotep III (1390-1352 B.C.E. ). In this situation he overseen enormous building projects. These projects took add-on at the Karnak temple, the first degree of the Luxor temple, and the kings mortuary temple in western Thebes, the largest ever established. Afterwards his death, Amenhotep son of Hapu was deified and considered a preventive god.

God Heh

God Heh Hieroglyphic Name

God Heh

God Heh was the god of infinity and formlessness. He was showed as a bowing man enduring two palm pokes fun in his hands, for each one of which done with a tadplole and a shen ring. This shen ring was a established symbol of infinity. The palm ribs were symbols of the transition of time, in the temples they were serrated to record cycles of time. The tadpole was a hieroglyph that was the number 100,000. The realize of Heh himself was with his arms grown was the hieroglyph for the come one million.

God Heh was a member of the Ogdoad of Hermopolis. He and his consort Hauhet together were the views of formlessness and endlessness that went in the population anticipatory to the Creation. In Hermopolis, he was described as a snake.

God Khonsu

God Khonsu Hieroglyphic Name

God Khonsu

God Khonsu is an Ancient Egyptian god whose great role was linked with the moon. His name agency "traveller" and this may pertain to the nightly travel of the moon crosswise the sky. Along with Thoth he big the passage of time. Khonsu was stabilizing in the existence of new life in good living creatures. At Thebes he worked part of a family triple with Mut as his mother and Amun as his father. He was precious as son of Sobek and Hathor at Kom Ombo.

The name (Khonsu) ponders the fact that the Moon (mentioned to as Iah in Egyptian) travels crosswise the night sky, for it implies traveller, and also had the deeds "Pathfinder and Defender", as he was thinking to watch long-term travelers. As the deity of light in the night, Khonsu was provoked to protect against wild animals, increase male manliness, and to aid with healing. It was very that when Khonsu induced the crescent moon to shine, women conceived, cattle grown fertile, and all nostrils and every throat was full with fresh air. Khonsu can also be read to good king's placenta, and consequently in early times, he was thought to slay the enemies of the pharaoh, and extract their viscera for the pharaoh's use, metaphorically creating something resembling a placenta for the pharaoh. This bloody aspect tips him to be concerned to, in untold as the Pyramid texts, as  the  (one  who)  lives  on  hearts.  He  too  became  related  with  more  literal  placentas,  proper  seen  as  a exaltation of the royal placenta, and thus a deity taken with accouchement.

Temple of God Khonsu at Karnak

The Great Temple of God Khonsu was built in the precinct of the temple of Karnak. It was started by King Ramses III, in the New Kingdom but extended by a number of later swayer. There were 3 shrines devoted to specific facets of the god in Karnak and Thebes.

God Anti

God Anti Hieroglyphic Name

God Anti was the war God of ancient Egyptian. Anti worshiped in Upper Egypt, having a cult center at Deir El-Gebrawi, near old Assyut. The deity was a supporter of Merenre I of the 6th dynasty. Respecting Anti was plausibly part of Merenre's drives to mold helps in the southwest region, and  the falcon was it's symbol.

Magic in Ancient Egypt

Ancient Egyptians society were closed by  magic. From the mystical rituals conducted by the priest to the other incantations of the doctors. Their absorption with death, the magical, magic charms and magic spells permeated to all levels of society. Magicians toned spells to cure ailments and ward off risk, unwellness and evil lives. 

The priests of Ancient Egypt were the important magicians and practicians of magic in Egypt. The Ancient Egyptians believed that magic was closely affiliated with writing. Most magician priests were considered to have gained magical knowledge by studying ancient sacred scriptures The priest magicians were surrounded in mystery. Priests were seen to be in possession of a secret cognition which had been given to them by the immortals. The death rituals and the spells loved by the magic priests made them important.

The Book of the Dead disciplined nearly two hundred Magic Spells designed to help with overwhelming the dangers of the Hades such as defeating severe beasts, avoiding several traps and demons. These spells   included transformation the ability to change into several beings such as a mythical phoenix or a honed snake. The correct magic spells would take to be recited to pass different tests to ensure secure passage through the terrifying trials of the Scheol which left to the Hall of Two Truths where their activities in their mortal lives would be examined - the Egyptian Magic Spells were important for the Day of Judgement. The priest sorcerers had the spells which could help an Ancient Egyptian to become immortal. Is it any wonder that people considered they could work magic miracles wish bringing figures of animal to life and working people into animate beings.

The statues of the gods were thought to be a living embodiment of the divinity. The familiar 'sitting position' of many of the great statues was believed to grant the living soul ,the Ba, to stand erect and "go out into the day." The statues were usually housed in the temples but on great occasions and festivals the statues were exhibited in front of the people. The people then wanted magical prophecies viewing their lives - The wonders were put in much a way that they only essential a 'yes' or 'no' serve. If the divine spirit of the statue moved the bearers forward the result was OK.

Ancient Egyptian Amulets

The amulet is a small object that a soul wearies, carries, or extends to a deity because he or she believes that it will magically add a particular power or form of tribute. The sentence that a symbol, form, or construct provides protection, promotes well-being, or brings good fortune is common to all societies: in our own, we unremarkably wear religious symbols, carry a wanted penny, or a lapins foot. In ancient Egypt, amulets might be run, used in necklaces, bracelets, or rings, and particularly set among a mummys binds to check the gone a safe, healthy, and prosperous hereafter.

Egyptian amulets gone in a number of ways. Symbols and deities generally confabbed the powers they present. Small models that represent identified objects, such as headrests or arms and legs, served to make sure those items were ready to the private or that a specific motive could be called. Magic contained in an amulet could be seen not only from its shape. Material, color, scarcity, the grouping of various forms, and words said or ingredients scratched over the amulet could total be the source for magic allowing the possessors wish.

Microscopic representations of animals look to have went as amulets already in the Predynastic Period (4500-3100 B.C.). In the Old Kingdom (2649-2150 B.C.), about amulets took an animal figure or were symbols (often settled on hieroglyphs), although generalized human forms came. Amulets depicting sensible deities begin to come along in the Middle Kingdom (2030-1640 B.C.), and the New Kingdom (1550-1070 B.C.) showed a further increase in the lead of amulet forms. With the Third Intermediate Period (1070-712 B.C.), there was an detonation in the measure of amulets, and numerous new types, particularly deities, come along.

Using amulets was standard in Egypt from the earlier times to the Roman Period, and when the Egyptians covered Christianity, they, in common with the Gnostics and semi-Christian sects, established into their new faith many of the considers and beliefs which their so-called heathen ancestors had took, and with them the apply of the names of Ancient Egypt gods, and goddesses, and ogres, and formul?, which they engaged in much the said way as they were engaged in the days of old.

Here are some of that Amulets:

The Amulet of the Scarab

The Amulet of the Ankh

The Amulet of the Hearts

The Amulet of the Buckle

The Amulet of the Tet

The Amulet of the Pillow

The Amulet of the Vulture

The Amulet of the Golden Collar

The Amulet of the Papyrus Scepter

The Amulet of the Eye of Horus

The Amulet of the fingers

The Amulet of the Frog

The Amulet of the Ladder

The Amulet of the Menat

The Amulet of the Sam

The Amulet of the Serpent's Head

The Amulet of the Shen

The Amulet of the Soul

The Amulet of Nefer

The Amulet of the Steps

The Amulet of the Steps

The Amulet of the Steps

The Amulet of the Steps appears to have two substances: to lift up to heaven, and the throne of Osiris. According to one legend, when the god Shu cared to lift up the goddess Nut from the adopt of the god Seb, so that her body, endured by her stretched-out arms and legs, might form the sky, he got that he was not tall plenty to do so; in this difficultness he made use of a flight of steps, and having rose to the top of these he found himself able to perform his work. In the fourth division of the Elysian Fields three such fledges of steps are showed. In the "XXIInd Chapter" of the (Book of the Dead) the deceased prays that he "may have a portion with him who is on the lead of the steps," i.e., 

Osiris, and in funeral vignettes this god is seen sitting upon the top of a trajectory of steps and holding his usual symbols of sovereignty and dominion. The amulet of the Steps is unremarkably made of green or blue glazed porcelain.

The Amulet of Nefer

The Amulet of Nefer

The Amulet of Nefer means "happiness, good fortune", etc., and stages a musical instrument; it was taken of carnelian, red stone, red porcelain, and the care, and was a very favourite form for the pendants of necklaces and guides of beads.

The Amulet of the Soul

The Amulet of the Soul

The Amulet of the Soul was taken of gold inlaid with sacred stones in the form of a human-headed hawk, and, when the phrases of the "LXXXIXth Chapter" of the (Book of the Dead) had been recited over it, it was directed by the rubric to the Chapter to be set upon the breast of the deceased. The object of the amulet is manifest from the text in which the broken is made to read, "Hail, thou god Anniu. Hail, thou god Pehrer, who dwellest in thy vestibule! Grant thou that my soul whitethorn come unto me from wheresoever it may be. If it would sticky, then let my soul be took unto me from wherever it may be.. Let me have self-will of my soul and of my heart, and let me be right of voice with them wherever they may be .. Hail, ye gods, who tow on the boat of the lord of millions of years, who bring it introductory the Hades, and who make it to travel over Nut, who make people to enter into their sacred bodies, ... grant that the soul of the Osiris "may come forth before the gods, and that it may be straight of voice with you in the eastside of the sky, and accompany unto the set where it was yesterday, and enjoy dual peace in Amentet. May it look upon its natural body, may it rest upon its religious body, and may its body neither perish nor suffer subversion for ever so!" Thus the amulet of the soul was meant to enable the someone both to unite with the mummified body, and to be with its look (khu) and sacred body at volition.

The Amulet of the Shen

The Amulet of the Shen

The Amulet of the Shen is involved to represent the sun's orbit, and it became the symbolization of an vague period of time, i.e., eternity; it was placed upon the body of the dead with the catch of big to it life which should run as long as the sun overturned in its orbit in the heavens. In the picture of the mummy chamber the goddesses Isis and Nephthys are found kneeling and resting their hands on shen. Pictures of the shen were finished upon stel?, coffins, etc.; as an amulet it is ordinarily made of lapis-lazuli or carnelian. The amulet of the cartouche has been supposed to be nothing more than shen extended, but it likely refers to the ordinary thinking of i.e., "name".

The Amulet of the Serpent's Head

The Amulet of the Serpent's Head

The amulet of the serpent's head was settled on the dead body to keep it from being burnt by snakes in the Scheol or tomb. It is made of red gemstone, red jasper, red paste, and carnelian. As the goddess Isis is often typified by a serpent, and red is a coloring peculiar to her, it looks as if the idea base the use of this amulet was to beat the snakes in the tomb by implies of the power of the great snake-goddess Isis. This power had been transported to it by means of the words of the "XXXIVth Chapter" of the (Book of the Dead), which are often inscribed upon it. The text reads:

"O Serpent! I am the flame which shineth upon the Undoer of hundreds of thousands of years, and the regular of the god Tenpu".

or as others say, "the regular of young plants and flowers. Depart ye from me, for I am the sacred Lynx." Some have thought that the snake's head represents the ophidian which exceeds the ram's head on the urhekau tool used in performing the ceremony of (Opening the mouth).

The Amulet of the Sam

The Amulet of the Sam

The Amulet of the Sam is probably intended to represent an reed organ of the human body, and its use is said ancient; it is took of lapis-lazuli and other hard stone centers, and in the late period is ofttimes observed in the swathings of mummies. Its primary thinking is "union," and relates to animal pleasure.

The Amulet of the Menat

The Amulet of the Menat

The Amulet of the Menat was in use in Egypt as early as the 6th dynasty, and it was dead or held or took with the sistrum by gods, kings, priests, priestesses, etc.; normally it is held in the hand, but it is much worn on the neck. Its target was to bring rejoice and health to the wearer, and it was conceived to have magical properties; it symbolise nutrition  and strength, and the mightiness of the male and female variety meats of multiplication, mystically took, was thought to be united therein. The amulet is made in stone, porcelain, and other substances, and when laid upon the body of the dead took to it the power of life and breeding.

The Amulet of the Ladder

The Amulet of the Ladder

The Amulet of the Ladder is a  mystical  symbol  associated  with  the  furor  of the  god  Osiris, named  a  magat. Antique  as  an  amulet, the ladder  observed  the  goddess  Nut, the  mother  of  Osiris. Sits of the ladder were identified in tombs to evoke the aid of the deities. The ladder had been projected by the gods to reach mystically when Osiris ascended into their field.  As  an  amulet,  the  ladder  was  thought  to  carry the gone to the realms of nirvana beyond the grave.

The Amulet of the Frog

The Amulet of the Frog

The Amulet of the Frog is a symbolization of generation, rebirth, and fertility in ancient Egyptian lore, the  frog goddess was Heket, depicted as a creature or as frog-headed woman. The four male gods of the Ogdoad of Hermopolis were also frog-headed, a symbolisation of their role in the greening and impregnation  of  Egypt at the creation and at the annual flood periods. Frog amulets were  used  to  check rebirth for the cold in the tomb.

The Amulet of the Fingers

The Amulet of the fingers

The amulet of the fingers is involved to represent the two fingers, forefinger and medius, which the god Horus employed in availing his father Osiris up the ladder into Eden, as has been reported above; it is found in the inside of mummies and is usually made of obsidian or hematite.